In this case, just as Remarque, Dix shows the ugliness of death at war and how it mutilates the memory of the dead and scars the living, which he demonstrated by drawing the survivals pale and ghostlike, for surviving the war, the remain nothing but ghosts of themselves. ![]() In the series of his paintings, Dix demonstrated battlefield not as epic fights of valor but as field full of pieces of human corps, insides, blood and pieces of bones on various stages of decomposition combined with dehumanized images of the survivals. The same idea was demonstrated by Dix and Owen. It is the deprivation of humanity in the injured, and their perception as the lost cause by the other make death and injury so gruesome at the event of war. This description shows the severity of war to the individual human being, the person that lost an ordinary pleasure of full functioning and living a normal life. This lad won’t walk anymore” (Remarque 1987, 71). Describing one of the injured, the author writes: “ we lay the hip bare it is one mass of mincemeat and bone splinters. In this regard, Remarque creates the images of bloody, painful and dirty death without any meaning or dignity in it. Thus, the primary means of creating the anti-war narrative is through making personal to the audience through the connection to the narrator and his feelings.Īnother essential element of creating the anti-war narrative is making death more palpable, demonstrating its ugliness and bloody nature instead of the idealized valor of the epic days. This description makes the reader feel like he is the one suffocating and separated by the gas-mask from death. For instance, he writes: “ inside the gas-mask my head booms and roars – it is nigh bursting my lungs are tight, they breathe always the same hot, used-up air, and the veins on my temples are swollen” (Remarque 1987, 70). Remarque combine’s narrator’s perspective, point of view technique together with the detailed description of individual physical and emotional conditions in order to make the target audience feel like being there at war. It is aimed to create a psychological bond between Paul (his feelings, sufferings) and the reader. To achieve this Remarque uses the main character as a narrator of the story. The anti-war narrative is, first of all, demonstrated through the personification of the soldiers and the impact of war experience on the individual human lives. The author pays attention to the change of physical and psychological state of a soldier during war demonstrated in the exact cases of Paul and his friends, how Paul loses connection with the civil life at home, cannot feel anything human anymore and how an attempt to return to his creative origins gets him killed at the end of the story (Remarque 1987). The story is told from the day-to-day experiences of soldiers, the lack of supplies, injuries, cold, dirt and death. Remarque’s “All Quiet On the Western Front” tells a story of a young soldier Paul Baumer, who together with twenty other class mates joined the German Army during the World War I, due to the patriotic inspirations introduced by their teacher. Thus, all three authors demonstrate the reality of war and its idealistic perception used for the achievement of political goals. ![]() The central thesis of this paper is that all three works of art demonstrated the anti-war narrative through humanization of the war and demonstration its ruinous impact on human body and soul conditioned by its dirty, bloody and monstrous nature. In this regard, Remarque’s “All Quiet On the Western Front,” Otto Dix’s “Der Krieg”/“War” and Wilfred Owen’s “Dulce et Decorum Est” are analyzed. The aim of this paper is to explore how different types of art literary memoir, visual images and a piece of poetry managed to create strong anti-war narratives. ![]() However, with the introduction of the total war into human history, the emphasis in the perception of war has changed towards the reflection of its ugliness and inhuman nature. In the Middle Ages and the epoch of Romanticism, the war was idealized through the idealistic images of patriotism and servitude to one’s country, protecting the loved ones and demonstration of one’s manliness and maturity. In the Ancient times, it was essential for the survival of one tribe over another, securing access to the resources. While war remains an inevitable feature of human reality, its perception changes with time. The history of human civilization was characterized with more occasions of war and conflict rather than peace and stability. Relation of Global Warming and Extreme Weather Condition
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